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MCBA Musée
cantonal
des
beaux‑arts
Lausanne
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L’ Adieu à la vie ou Le Baiser (Farewell to life or The Kiss)

After fighting in the Franco-Prussian war of 1871, Albert Bartholomé left the army and moved to Geneva to study art with Barthélémy Menn. By 1874, he was regularly returning to Paris, moving back permanently in…

Florence Bartholomé, les yeux clos (Florence Bartholomé, eyes closed)

Albert Bartholomé’s second wife, née Florence Letessier, proved a fresh source of artistic inspiration, sparking a new vision of womanhood that married the expression of calm, luminous beauty with a realistic depiction of womanly features.

Bex

Félix Vallotton began spending most of the year in Paris in the 1880s. He would return to Switzerland in the summer months, bringing small pieces of wood or cardboard and paints to the shores of…

Vue du lac Léman et des Alpes (View of Lake Geneva and the Alps)

The renowned architect Eugène Viollet-le-Duc painted this watercolour the year he died, while he was working on the renovation of Lausanne cathedral. The lower half shows the Vaud-side shore of Lake Geneva in its natural…

Bestie da soma (Beasts of burden)

In April 1895, Giovanni Giacometti was working on an ambitious painting he planned to show at the fourth national exhibition in Geneva the following year. As he explained in a letter to his friend and…

Beau temps orageux (Fine Stormy Weather)

At the dawn of the twentieth century, Provence and the Côte d’Azur proved a testing ground for modern art. Vincent Van Gogh described the region as the ‘great studio of southern France’, where artists came…

Le génie de Ludwig van Beethoven (The Spirit of Ludwig van Beethoven)

Beethoven was honoured as a quasi-divine figure as early as the ceremonies held to mark his funeral in 1827. For the Romantic generation, his extraordinarily fecund talent symbolised poetic inspiration and his deafness the solitude…

Paysage du Midi (Landscape, Southern France)

Auguste Renoir first saw Provence on his way back from a tour of Algeria and Italy in 1881-1882. He visited Paul Cézanne in the port of L’Estaque, which takes its name from the range of…

Madame Hessel et Lulu à la porte-fenêtre (Madame Hessel and Lulu by the French Window)

This painting is one of Édouard Vuillard’s late works. It is an example of the intimate works of the 1930s painted for the artist’s own enjoyment – still lifes, flowers, and scenes from daily life,…

Le jardin rose (Pink Garden)

Alice Bailly moved from Geneva to Paris in 1906. She settled in rue Boissonade, a cul de sac that was already home to a number of artists and intellectuals from her native region, including Alexandre…

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Tuesday-Wednesday10:00 - 18:00
Thursday10:00 - 20:00
Friday-Sunday10:00 - 18:00
MondayClosed
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PLATEFORME 10
Musée cantonal des Beaux-Arts
Place de la Gare 16
1003 Lausanne
Suisse
+ 41 21 318 44 00
mcba@plateforme10.ch
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